19 Scene Partner Scripts for Auditions shares a versatile mix of practice scripts for actors from published theatre plays.

19 Scene Partner Scripts for Auditions

WHAT’S WRONG WITH A BIT OF FUN? from I’m Sorry You’re So Beautiful
Two Broadway actors have been seeing one another behind the scenes but have been reckless in their passion and now things may need to come to a full stop.

THE KISS THAT STARTED IT ALL THAT NIGHT from With a Broken Wing
After being kicked out for talking to her mom to long, Bob get invited back into the house and offers to buy Lea her prom dress.

I TOLD YOU TO LEAVE from Even the Color Blue
John has finally worked up the courage to confess to his parents his true identity but before he gets to, he finds out that his father is dying.

WHERE HAVE YOU BEEN? from Withering Hologram
Landon is trying to figure out how he can go about having a relationship where is damaged feelings won’t get in the way.

DON’T CALL ME NUTS, YOU KNOW I HATE THAT from Hurts When It Rains
Frank comes from a criminal family and he has fallen in love with a woman from a rival group, which has caused a rift between Frank and his brother Salve.

I DON’T WANT ANOTHER DUMB ARGUMENT from Four Summers Ago
Two sisters who haven’t spoken attempt to patch up their fractured relationship in order to get close again.

WHY CAN’T THE ACT OF WRITING BE SOLELY FOR ME? from The Typed Manuscript
Edwina is a reclusive novelist and world famous who never sees anyone but for some strange reason she opens her door to Jessica, her number one fan.

DIDN’T YOU SAY YOU WERE INVITING ME OUT?  from Charades
Reginald and Philip debate one another over the fact that each claims the other should be paying for the dinner check.

IT ANGERS ME TO REMAIN QUIET from A Decent Man
Fabian visits Father Del Henney privately in order to gain clarity on something regarding the death of his father.

I’M IN THIS FOR LIFE, MRS. LARNER from Lenny
Lenny has made a major transition in his life and speaks to his therapist Mrs. Larner about his decision.

HOW DO YOU GET USED TO ALL THE BLOOD? from Hush
Luciano is a studio executive hellbent on destroying an actors career and she invites a plastic surgeon to her office for a bribe.

YOU ALWAYS GET HEADACHES WHEN WE TALK PAST A THIRD GRADE LEVEL from The Last M&M Samurai
Dan shares his deeply felt philosophy of while eating an m&m’s bag, he always lets the last peanut go.

I DIDN’T JUST MAKE THE DECISION, IT WAS DECIDED A WHILE AGO from Mad to the Core
Phebe has just lost her father which has pushed her to make the final decision on breaking up with her man.

WE’VE TRIED EVERYTHING, HAVEN’T WE?  from A Shade or Two Darker
Gertrude and Lyndon try to come to terms with the racial difficulty they seem to admit that is destroying the love within their family.

I WAS SENT AWAY CAUSE I DID SOME BAD THING from At The End of The Driveway
Jagger is out of prison and see his son for the very first time.

I HAVE AN EGO CAUSE I’VE EARNED MY EGO from Mr. Bad Mood
Vince reaches the lighthouse where his father works in order to find out if he’s okay and why he isn’t reporting back to base.

TELL ME SOMETHING ABOUT YOURSELF…ANYTHING from The Dancing Man
While driving in a rental car, Max and Bree hear banging noises coming from the trunk to reveal a man who doesn’t speak and only wishes to dance.

I’M WILLING TO DIE FOR YOU from Act of Pure Love
Saul tries to win back Nicki’s love for him by offering her his chopped off pinkie finger to show her his loyalty.

BE CALM CAUSE SHE’S SENSITIVE from Tina, Hank, Hank, Tina
Marv asks his brother Hank to literally save his life and help him out with some money, but things get a little too crazy for Hank when he arrives.